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Lighting for Film and Digital Cinematography (with InfoTrac) (Wadsworth Series in Broadcast and Production), by Dave Viera, Maria Viera
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Explores the basic concepts necessary for designing and implementing lighting setups. This text adopts a conceptual approach to lighting, focusing on ideas and setups; it assumes readers have a prior knowledge of equipment. Coverage includes lighting, color control, texture, exposure technique, and elements that create image, 'look,' and mood.
- Sales Rank: #1118123 in Books
- Brand: Brand: Cengage Learning
- Published on: 2004-07-02
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 8.25" w x .50" l, 1.36 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
Review
"The book encourages one to see with fresh eyes--to be a creative problem solver, as opposed to relying on the formulaic."
"Viera's book from the start has been one of my favorite texts on the subject. It gives the right amount of information and illustrates its points with terrific images from real films."
Most helpful customer reviews
0 of 0 people found the following review helpful.
One book to rule them all! Buy it, you won't regret it.
By Daniel Reed
Lighting for Film and Digital Cinematography (with InfoTrac) (Wadsworth Series in Broadcast and Production)
"Lighting for Film and Digital Cinematography" by Dave Viera, is the best book I've encountered on exposure for cinematography period
I strongly suggest this book; We have multiple copies in my creative team and we use it keep everyone on the same page.
I recommend buying a good used copy.
It has replaced every book I own on the art, science, and craftsmanship of exposure for narrative visual arts.
3 of 5 people found the following review helpful.
Excellent but pricey
By J. Wattenbarger
I'm very new to lighting for any film stock. My goal is to become more aware of how to light for film, mainly digitial stock. This books does provide extremely detailed information on lighting, such as footcandles, gamma, lighting terms and much more, but mainly in one chapter. It did provide detail about digital film lighting and standard photography lighting. I wish it gave more insight about "moods" but I learned a great deal. Downside, it's expensive for the material you get.
8 of 8 people found the following review helpful.
Not Worth The Price
By M. MacDonald
I bought this book because, as someone who has shot a limited amount of both film and video, I wanted to learn more specifics about lighting, exposure theory, color theory, and so on. While the book covers all of these topics, it does so in a limited, rather basic way, and for the information you get, it is not worth the price. It is a flimsy paperback book with lots of empty white space on every page and the illustrative photos are mostly black and white, which is fine for black and white cinematography but . . . .
I returned my copy and purchased "Motion Picture and Video Lighting" by Blain Brown for 1/3 the price of "Lighting for Film and Digital Cinematography." Not only is Brown's book less expensive, but it is PACKED with highly useful, very practical information. Plus, it includes a DVD with lighting demonstrations, technical tests, and short scenes illustrating the lighting principles covered in the book. Also, I really like the section of Brown's book that lists all the major types of lights used on professional shoots (from Fresnels and HMIs to PARs, Dino's, MaxiBrutes, FAYs, Soft Lights, Space Lights, fluorescents, and so on). Yes, Brown's book is a bit more technical, but he covers the basics very well and his book is, in my opinion, a far better investment, and a less expensive one at that.
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